J.S. Bach: Sonatas for Viola da Gamba and Harpsichord twelve tone Anton Walter

Anton Walter

Included in the programme are the new cycle Five Hymns for Vespers (written especially for the Sidney Choir and a compelling setting of the familiar words of the Pater noster

Telemann’s wind music is an eclectic mix of perfectly balanced Baroque dances

with whom the infant Mozart is alleged to have played keyboard duets whilst sitting on the older composer's lap

period instrument group the Elysium Ensemble returns to Resonus with an expanded line-up to present an arresting and vibrant new recording of flute concertos by the Baroque composer Johann Joachim Quantz

J.S. Bach: Sonatas for Viola da Gamba and Harpsichord twelve tone Anton WalterRobert Smith (viola da gamba) Francesco Corti (harpsichord) The cembalo obbligato sonata reached its zenith in the middle decades of the eighteenth century; thought to date from the last fifteen years of J. S. Bachs life, the composer was a pioneer of this compelling form, and for the soloistic role of the harpsichord in ensemble music. Critically acclaimed Amsterdam based viola da gamba player Robert Smith joins with the celebrated Italian