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Last copy of the beige colour vinyl found
came in and began tip-toeing through the rubble and refuse
but a Scandinavian city that either gets no sun during the day or the sun doesn’t go down at night
Pronounced “tank” with a whiff of the “g” - an onomatopoeic reference to the lashing way the band imagined their guitars sounding that has since grown into a sigil for living in love - the record is the band’s most ambitious and striking work yet
Paul delivers a frightening and disturbing (in all right ways) score here…giving it an atmosphere of creepy supernatural darkness and a feeling of impacting doom
BRENDAN WELCH - s/t LP uk diy Last copy of the beigeHighly recommended. Glorious and soaring arrangements from the Melbourne singer songwriter. Replete with earnest acoustics, mixing in piano and simple percussion while Welch's warbly but inviting vocals recall the kind of delivery wielded by Conor Oberst, giving the piece an endearing, unpolished yet wholly enjoyable vibe.
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