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this album represents the first modern recording of the works to feature performances on gut strings and with aspects of period performance
John Scott
About the Artists: Gemma Rosefield
17 for piano and horn signalled the beginning of an explosion in works for piano and horn duo in the early part of the nineteenth century
but his sheer inventiveness and joyful revelry in a kaleidoscopic riot of instrumental colour is celebrated here in the earliest versions of such classics as Le Bestiaire and Cocardes
Byrd 1588: Psalmes, Sonets & songs of sadnes & and pietie RES10121 this album represents the firstAlamire Grace Davidson (soprano) Martha McLorinan (mezzo soprano) Nicholas Todd (tenor) Fretwork David Skinner (director) Following Tallis and Byrds first publishing venture of Cantiones Sacrae of 1575, Byrd waited some 13 years to again wake the presses with his compositions. His 1588 Psalmes, Sonets, & songs of sadnes and pietie was his first solo publication, for which Elizabeths Lord Chancellor (and notable favourite), Sir Christopher Hatton,
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