Bruges-la-morte - Georges Rodenbach theory intergenerational

intergenerational

listening and playing sound in urban environment

Professor (LSGMA) and curator (CAMPO

Take three is a song sang in falsetto while playing the Bosendorfer Imperial in an arpeggiated style that predates the “strummings”

Afterword by Baptiste Pinteaux

Bruges-la-morte - Georges Rodenbach theory intergenerationalA widower, Hugues Viane, takes refuge in the decay of Bruges, living among the relics of his dead wife as he transforms his home and the very city he inhabits into her spatial embalmment. Spinning out his existence in a mournful, silent labyrinth of entombed streets and the cold arteries of canals, Viane takes comfort in his narcissistic delirium, living both for and within his deceased love, until his world is shaken when he meets his wifes