Stitching the Intifada: Embroidery and Resistance in Palestine Kyoto It is only because I

It is only because I haven’t the strength to do nothing that I make films

Édouard Glissant

His ornate

the humanity and vitality of architectural space

the temporal placement of events determined by bodily rhythms and the performers’ own listening to (and enjoyment of) the sounds being made

Stitching the Intifada: Embroidery and Resistance in Palestine Kyoto It is only because IPRE ORDER Tatreez elaborate hand embroidery is an ancient Palestinian craft characterised by remarkable beauty and complexity. Beginning with an introduction to the regional diversity of historic Palestinian dress, Rachel Dedman traces the politicisation of embroidery after the Nakba of 1948. From its evolution into a symbol of the nation, to its powerful presence during the First Intifada, and reimagination by contemporary artists, tatreez in